Tag: Michael Nyqvist

Luftslottet som sprängde, 2009

Luftslottet som sprängde, or The Girl Who Kicked the Hornet’s Nest, continues the story of Lisbeth Salander (Noomi Rapace) and Mikael Blomqvist (Michael Nyqvist). This third and final installment picks up immediately following the conclusion of The Girl Who Played with Fire, Lisbeth is now hospitalized for her wounds and being detained by the Swedish police for the murders of a researcher working for Millenium magazine and his fiance.

Her father, Alexander Zalachenko (Georgi Staykov), is also hospitalized and in the same hospital as Salander. He wants the Swedish intelligence faction which has kept him hidden and protected for so many years to kill Salander, threatening to give up the organizations secrets if they do not comply. Salander’s brother (Micke Spreitz) remains at-large, though he is wanted for the murders of police officers killed during his escape from Zalachenko’s estate.

Salander’s long history of maltreatment at the hands of the Swedish state continues here and much of the movie continues the combined efforts of Salander, her associated hacker Plague (Tomas Köhler), Blomqvist, and Blomqvist’s sister (Annika Hallin), who acts as attorney for Salander in this case.

Once more, the work of director Daniel Alfredson is phenomenal in bringing the story from Stieg Larsson‘s novel of the same title to life on the big screen. With its superb acting, writing and pace, the story of Salander’s fight against the Swedish state that has taken so much from her and abused her for so long finally becomes the primary focus of the story. The viewer if given a lot of new information about her early life, which makes her efforts to clear her name – aided by both her doctor and attorney all the more compelling. In addition to their help, Salander is assisted by friends and associates to not only prove her innocence, but to prove she deserves a completely independent life. All of this, which occurs at a breakneck pace, keeps viewers on the edge of their seat until the ultimate finale.

The Girl Who Kicked the Hornet’s Nest is an incredibly satisfying conclusion to its two predecessors, The Girl with the Dragon Tattoo and The Girl Who Played with Fire, and is too good to spoil with this review. If you have seen the two preceding movies in this series and have not yet seen The Girl Who Kicked the Hornet’s Nest you should do so at your earliest opportunity as you will not be disappointed!

Flickan som lekte med elden, 2009

The Girl Who Played with Fire or The Girl Who Played with Fire, is the second in the Millenium series of movies and continues where its predecessor left off.  Mikael Blomkvist (Michael Nyqvist), the editor of Millenium magazine is contacted by a researcher and his fiancee who have been examining the links between the Swedish government and the trafficking of women.

Lisbeth Salander (Noomi Rapace) has spent a year traveling with the money she stole during the conclusion of The Girl with the Dragon Tattooand is now trying to settle into Swedish life and some degree of normalcy.  When the researcher and his fiancee are found murdered, Lisbeth is the suspect in the killings and must work with Blomkvist to clear her name and attempt to liberate herself from her complicated legal situation.

Terrible secrets about Salander’s past are brought to light in the process of discovering the real killers; the movie doesn’t so much end as it does leave the viewer anticipating the final installment.

Alfredson’s directorial work is just as outstanding  in this installment as it was in The Girl With the Dragon Tattoo;  the result is a movie that nearly surpasses the exceptional quality of the first film.  The story is deeply engrossing for the viewer, and loyal to Stieg Larson’s renowned series, a phenomenon uncommon in a flurry of movies that take excessive liberties with the novels that inspire them.  The acting is again superb, and the details included come across as both expansive and effortless.

Following the success of the American adaptation of The Girl with the Dragon Tattoo, David Fincher is returning  to direct the next installment, which is currently in the works. This leaves viewers to wonder what changes he will actually make; given the nearly duplicated plot of the first American adaptation, it seems likely the upcoming remake will follow suit, merely changing Swedish actors for English-speaking versions. Perhaps there will also be minor tweaks in an effort to make the film more accessible to a wider audience, but in a series of already phenomenal films the need for such changes seems minimal. The film series is simply extraordinary and an excellent choice for anyone in search of a great story and an intricate, compelling plot: this film has both.