Tag: jean-pierre jeunet

Micmacs à tire-larigot, 2009

Micmacs à tire-larigot, or Micmacs as it’s known in the English-speaking world, is a whimsical movie centering on the story of a man named Bazil (Dany Boon) whose father is killed in Africa and who is later accidentally shot in the head. Now stricken with a disability, Bazil finds he has lost his job, his apartment and his possessions, all of which were taken while he was in the hospital.

Bazil eventually finds and joins up with a group of odd characters who live as a family in a house built within a junkyard. They are all unusual people with peculiar talents, like Calculator (Marie-Julie Baup) a mathematical savant, Buster (Dominique Pinon) a world record holding human cannonball, Tiny Pete (Michel Crémadès) who creates artistic, moving sculptures, and Elastic Girl (Julie Ferrier) an extremely flexible contortionist, as well as a few others with similar remarkable, if odd, talents.

They welcome Bazil, who finds evidence that a giant French arms company supplied the device that killed his father, and that another enormous French arms company manufactured the bullet lodged in his head. It is decided that the group will exact revenge on the two CEOs of these companies on Bazil’s behalf. It is then the shenanigans begin with a complicated plot of revenge designed to annoy, economically damage, and otherwise cause trouble for the two CEOs and their respective companies.

Jean-Pierre Jeunet returns to the film world several years after his last offering, creating a delightful film, Micmacs, which is full of whimsy, imagination, and love. Like all of his other works, immense effort is put into the color and styling of the production lending it a delicate beauty; it’s almost as though he transforms his films from motion pictures into motion paintings. Superb acting and a witty, original storyline, allow Jeunet to direct this cinematic gem with what has become his trademark level of quality. While it is an admitted bias on my part as a devoted fan of Jeunet’s work, Micmacs is still a movie that can come with the strongest recommendations to viewers who like a bit of whimsy, accompanied by surreal and intense visual effects. The film is a delight and filled with the shenanigans to which the title refers.

Top 10 Modern Directors

I’ve no doubt that I’ll receive a large amount of email and comments claiming someone else should be listed or someone on the list shouldn’t be. Relax, seriously. As with anything I write here, this is my perception and opinion. These happen to be the ones that I feel are the best. Though I’m thinking of editing out Joel Coen for Tim Burton. Anyway, on with the show:

Great Directors: David Fincher

The second entry in my Great Directors series profiles David Fincher, director of Se7en and Fight Club, among others.  David Fincher’s directorial style seems to always incorporate novel approaches to film-making. When a film’s plot requires a gritty, realistic, but depressing feeling to it Fincher is able to deliver all of that with his directorial skill, as he had to do in making Se7en.   He is similar to Jean-Pierre Jeunet in his command of the visual elements and editing of a film to achieve his goals, but Fincher’s movies are far different than Jeunet’s.

Great Directors: Jean-Pierre Jeunet

This will be my first entry in a series of profiles of directors I believe have made a serious and consistent contribution of quality movies.  It is an annotated list of movies directed by Jean-Pierre Jeunet which I have seen and which are available for purchase in DVD format, at the very least, and encoded properly for viewing in North America.  I have left off some titles mostly due to limited availability or in one case because he is still working on the project.  They are predominantly subtitled from French with the exception of Alien: Resurrection.   Jeunet is one of my favorite directors if for no other reason than when I see a movie he has directed, I have yet to find one I disliked.

A Very Long Engagement, 2004

Having found success three years ago with Amelie Jeunet moves to this story of a romantic relationship between Mathilde (Audrey Tatou) and her lover, a soldier fighting in World War I.  A Very Long Engagement tells its story by reflecting upon the lives of five soldiers who have been caught during the war injuring themselves in order to get sent home.  The military finds out and decides to send these troops beyond the front-line to have the German soldiers kill them.