Trance by Danny Boyle is a remarkable film with few flaws, it contains a mind-bending series of twists that leave the viewer guessing throughout, guesses that are only answered in the final scene. James McAvoy stars as Simon, an auctioneer in London, that is robbed by a gang lead by Franck (Vincent Cassel), secretly aided from inside the auction house by Simon. It later emerges that for reasons unknown to him Simon has removed the stolen painting and forgotten where it is hidden.
Franck’s gang decides to try hypnotherapy to aid Simon’s memory using a therapist named Elizabeth (Rosario Dawson) and from there the movie quickly picks up momentum. Boyle’s usual visual appeal is present, especially during the sequences taking place only in peoples’ minds. The effects are so effective they are nearly unnoticeable by the viewer, which is always a good sign.
Throughout her sessions with Simon, Elizabeth probes his mind and a series of memories best described as Inception-esque is uncovered with many levels that are, at first confusing, but simultaneously thrilling and enticing. The frequent sessions and resulting exploration of the memories cover many levels, leaving viewers guessing about the root the memories and thus, the truth of the matter about the painting and Simon himself.
McAvoy, Dawson, and Cassel are phenomenal in their roles and the supporting actors leave nothing to be desired. The movie only suffers when compared with Inception and from some subtle pacing problems in the middle – aside from that, it is a delightful, action-filled romp through the memories and minds of the characters, leading to a fantastic conclusion, – one which perfectly resolves the film by the time the credits roll. Trance can be recommended in the strongest possible terms for virtually any audience.